Journal

Products & Collections

Habitat Collection moodboard in the James Dunlop design studio

Atrium colour Cedar by James Dunlop

Hygge colour Pearl by James Dunlop

Bauhaus colour Basalt by James Dunlop

Supervio colour Bronze by James Dunlop

Habitat by James Dunlop

Pigmented palettes appear across the range to at once soothe and energize, nurture and revive

James Dunlop’s Habitat Collection fosters slow interiors with an appreciation of quality and craftsmanship, presented through an inherently modern sensibility. Celebrating the cherished objects collected during travels and personal experiences which narrate the story of an interior and bring character to a space.

Taking inspiration from our local architecture’s embrace of our landscapes, and our relationship to nature through a desire for indoor-outdoor flow, high studs, and vast views. Pigmented palettes of tobacco, sepia, rust, and clay, accented by sage greens and blush pinks, appear across the range to at once soothe and energize, nurture and revive. Pattern further enriches our spaces, in soft geometrics which capture the hand of the maker or transport us to a nourishing environment of cedar timbers, birch trees, and bamboo forests.

“Given our close geographical proximity to Asia, we share an inherent love of minimalism, quality, and craftsmanship. As you all know, our architecture and interior design often feature an inherent modernism and simplicity, with a focus on materiality. Through over-scaling our motifs and creating more negative space our decorative drapery designs become more relaxed; they open up and feel more casual against the vistas beyond our windows.” Annie Moir, James Dunlop Design Director

Atrium

Atrium colour Cedar by James Dunlop

Inspired by the concept of open air gardens found within interior spaces worldwide, James Dunlop’s Atrium print showcases biophilic design by inviting the outside in. Tropical foliage motifs are delicately painted in watercolour and layered into a composition suggestive of a growing rainforest at the window. Digitally printed in Turkey onto a sheer linen base cloth that welcomes dappled light into a space, Atrium is printed continuously for ease of manufacturing. Available in three colour palettes; a perennial pairing of mellow green and ochre hues, rich cedar and sepia tones reminiscent of mid-century timbers and a soft warm neutral that each evoke a grounding sense of calm from nature.

Atrium

Bamboo

Atrium

Birch

Atrium

Cedar

Hygge

Hygge colour Pearl by James Dunlop

A lustrous, heavy bouclé, Hygge is a multi-directional upholstery woven in a practical, predominantly synthetic composition. Inspired by the Danish concept of cosiness, Hygge’s curated neutral palette invites us to find sanctuary within our interiors.

Hygge

Clay

Hygge

Mist

Hygge

Pearl

Hygge

Silk

Grounded

A sophisticated yet accessible woven upholstery, Grounded is constructed from 100% polyester and yarn dyed for added complexity. In a pigmented palette of nature-inspired hues, this tactile plain is a perfect upholstery solution.

Grounded

Bisque

Grounded

Linen

Grounded

Moss

Grounded

Pink Clay

Scandi

Scandi colour Ricepaper by James Dunlop

Blending the imperfection of Japanese wabi-sabi with Scandinavian minimalism, Scandi is a soft, geometric striped sheer crafted in a fil coupé construction. Abstract motifs are woven tone on tone for subtle sophistication in three soft shades.

Scandi

Linen

Scandi

Ricepaper

Scandi

Whitewash

Bauhaus

Bauhaus colour Umber by James Dunlop

Bauhaus captures the artist’s hand in a large-scale repeat of considered geometric motifs, artfully arranged to carry the eye through blocks of colour in a space. Channeling mid-century modern design principles of visual balance through asymmetry, simplified linear shapes are offset by soft curves and arranged in four harmonious colour compositions. Basalt, sepia and pigmented earthen tones are available alongside desert clay tones and willow set in parchment grounds. Bauhaus is digitally printed in India to capture the hand detailing and sketch-like quality of the original artwork onto a tumbled linen base cloth.